The Chrysalis spaceship, imagined as a 2.5-billion-ton ark for 2,400 chosen people, is not a project of science but of psychology. Far from being a realistic plan to secure humanity’s future, it is a monument to vanity and recognition—a modern cathedral built in orbit. The absurd cost of lifting such mass into space would consume the very resources that could sustain billions on Earth. In truth, Project Hyperion reveals less about our survival instincts than about our endless need to dream of immortality, even in the emptiness of space.

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The case of the World Journal of Neuroscience—which demanded a $999 fee before even sending a manuscript to peer review—reveals how deeply scientific publishing has turned into an industry of recognition and vanity. What should be a neutral exchange of knowledge has become a marketplace of prestige tokens, sold to authors under career pressure and monetized by journals and universities alike. In this economy, recognition is the currency, while truth risks becoming the ornament.

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A vague warning from Germany’s intelligence chief about Russia’s possible deployment of “little green men” triggered a full-spectrum performance across NATO institutions, media outlets, and political arenas. This essay dissects how modern decision-making is less about structural strategy and more about symbolic recognition—where intelligence, media, and governments amplify each other in a loop of performative escalation. Through the lens of Eidoism, we reveal how even ghostly threats can become real when every actor seeks visibility over form.

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Western media and politicians routinely condemn Russia and China for human rights abuses and authoritarian practices—but their critiques often fail to achieve real impact. This essay explores why: beneath the surface, deep neuroscientific differences in cultural wiring make true understanding and effective criticism almost impossible. Using examples from everyday life in Russia and China, we reveal how Western criticism “backs form,” misunderstanding local recognition patterns and reinforcing division instead of fostering change. Eidoism offers a new lens—urging humility, dialogue, and the recognition that only internal cultural shifts can drive real transformation.

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The Weaponization of AweWhy the Kawasaki “Horse Motorcycle” is Not a Motorcycle—And Why That Matters In a recent article by Popular Mechanics, the media presents a quadrupedal robotic vehicle—developed by Kawasaki Heavy Industries (KHI)—as a so-called “motorcycle” inspired by horses. The problem begins in the headline and continues through the entire piece. This is not a motorcycle. It never was.…

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