The Trump–Putin summit in Alaska was less a negotiation than a carefully staged theater of recognition. Every detail—the red carpet, the mirrored limousines, Trump’s clapping hands, Putin’s stoic silence—served not to strike a deal but to exchange respect before a global audience. Trust was built not through treaties but through symbolic gestures: Putin trusted he would not be assassinated or arrested; Trump trusted he would not be embarrassed in public. The photographs were the true outcome of the summit—recognition tokens that conferred legitimacy, status, and respect far beyond any policy result.
Empires collapse not when they are defeated, but when they can no longer sustain the image they perform.
From Rome to Britain to the United States, the same pattern repeats: recognition replaces function, status overtakes structure, and appearance becomes more important than integrity.
Eidoism sees this not as tragedy, but as exposure—when the loop breaks form, collapse is just the next performance.
The press claims independence, but it dances in a loop with power.
Politicians feed narratives, journalists crave visibility, and the public applauds the performance.
What looks like truth is often just recognition, echoed back and forth.
This is not journalism—it’s the loop speaking through language.